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Over There is an intense drama of synchronous disconnection, an allegory of competing ideologies set across the Berlin Wall. When the Series: Modern Plays.
Table of contents
- Celebrating 60 years of Methuen Drama’s Modern Plays series
- Over There by Mark Ravenhill
- Actions and Detail Panel
- Blue Elephant Theatre, Camberwell
This can be done in a black box performance, if done right.
The supermarket crap just symbolizes the destruction of the Berlin Wall, and the father socialist I just have to debunk this T-Rex of a play. The supermarket crap just symbolizes the destruction of the Berlin Wall, and the father socialist keeping one brother and the mom keeping the other; well, we see this bond that you think can't be broken but it is because YES freedom was one but it doesn't mean that the socialist party had No influence on Karl. The sponge being the child is good cause it shows how young minds suck up any Information like sponges.
Celebrating 60 years of Methuen Drama’s Modern Plays series
Anyway I'm rambling, you really need to know your history about our relationship with Germany to get this play. We devoured them in a way, and that's what this play is saying. We are the same, cause we are people, but they are different shades. One is black and white while the other likes to say opposites as the term. Aug 17, Christopher rated it really liked it.
Over There by Mark Ravenhill
Very interesting play about many things, including identity, love, modern Germany, and how divisions affect trust. It is quite a brief play, and it is pretty amazing how much is fit in here and how well it is done. It remains though a play I would have to see performed to fully grasp the depth of its emotions. One note: the characters are twins. In it's first production, the two actors were actually brothers and much is made about their identical appearance.
Actions and Detail Panel
My question is an open one: what if the Very interesting play about many things, including identity, love, modern Germany, and how divisions affect trust. My question is an open one: what if the play was done with two actors who didn't look like twins, would this deepen the play or ruin it?
View 2 comments. James rated it it was ok Nov 19, Elena rated it liked it Jul 29, Eli Massana rated it it was amazing Mar 13, Stephanie rated it liked it Apr 09, Kaleigh rated it it was amazing Mar 27, Franek rated it liked it Oct 11, Mark Ward rated it it was ok Sep 13, Maciej rated it really liked it Jul 11, Philipp rated it really liked it Jul 15, Serena rated it it was amazing Mar 01, La Corona rated it really liked it Jun 26, Christiane rated it it was ok Oct 04, Yennadim Medina rated it really liked it Dec 21, Kosoepyie marked it as to-read Oct 25, Kristy marked it as to-read Mar 30, Elena Tarna added it Jun 03, Anette F added it Sep 26, Stephen marked it as to-read Nov 05, Simon marked it as to-read Feb 22, Alicja Mielczarek marked it as to-read May 12, Kristy marked it as to-read May 12, Brendy D'amour marked it as to-read Sep 03, Clayborn marked it as to-read Oct 03, Hayley added it May 01, Beylem added it Aug 21, Onur marked it as to-read Jan 12, Ben marked it as to-read Jan 16, Lia marked it as to-read Mar 28, Kelsey added it Jun 01, Zozo Knight added it Jan 09, Nick K added it Feb 10, Helena Rampley added it Mar 17, J marked it as to-read Mar 03, Luke Spiby marked it as to-read Apr 16, Michael Keegan-Dolan's adaptation of the Tchaikovsky ballet proved revelatory, resetting the story in the midlands and giving it a distinctly Irish twist.
The film adaptation has proved an enormous success, but Emmet Kirwan's play is equally in fact, arguably moreso affecting. It documented the fractious relationship between Kirwan's Jason and his addict brother Daniel, set against the backdrop of a hedonistic weekend in the capital.
Blue Elephant Theatre, Camberwell
A play that was heartwarming and hilarious in equal measure, Elaine Murphy's tale of three generations of women from the same Dublin family has proven a hit since it was first performed at Dublin Fringe in Amidst the comedy, there is tragedy and ultimately hope in the form of the titular Little Gem as the women share their stories.
Adapted from a variety of sources — including Seneca and Sophocles' 'Oedipus' plays, and the work of Sigmund Freud — Gavin Quinn and Simon Doyle brought something quite unique to the stage in With black humour and a punk soundtrack set in suburban Dublin, it certainly made a lasting impression, and featured a memorable turn from future Oscar nominee Ruth Negga.
Owen McCafferty's play proved quietly devastating as the story of two Belfast men and their interminably entwined pasts unfold as they meet in a local pub to discuss something that happened there when they were teenagers. It was praised for capturing the desolating effect of the Troubles in a way that few other productions have over the years.
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Playwright Marina Carr has enjoyed massive success with various seminal works over the years, but On Raftery's Hill was celebrated for weaving the mundane — a story set in a country kitchen in midlands farming community — with themes that resonate strongly with Irish audiences: family, land, obligations.
It remains as potent as ever, and an acclaimed Abbey revival last confirmed its modern classic status. Written and performed by the incomparable Pat Kinevane, this unique blend of Irish storytelling interwoven with Kabuki dance has been entrancing audiences since Telling the stories of four elderly people in Irish retirement homes, its use of language and movement is spellbinding.
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Once seen, never forgotten. First staged at the Dublin Theatre Festival in — and at a former Magdalene Laundry in Dublin, no less — Louise Lowe's immersive theatre experience offered a harrowing yet powerful glimpse into the lives of the women confined to the workhouse, telling their stories via actors, audio and visual installations.
It's been staged in cities around the world and has wowed pretty much all of them; even the New York Times commended Fishamble's production of Swing for its heart-on-sleeve emotion. Grace Dyas's often shocking, often challenging but always engaging play about the drug that has scourged Ireland over the last few decades proved a seriously powerful addition to the Irish theatre world upon its debut in It's a show that continues to evolve.